Football forms a background to Quietly, Owen McCafferty’s Belfast-based drama, but the odds played out on stage in this searing 75-minute play are far bigger and run much deeper than even Bill Shankly could imagine.
Quietly is Northern Ireland’s brutal history in microcosm set in a pub on the city’s fringes where a Catholic and a Protestant meet to play out their own linked personal and painful history.
Northern Ireland are playing a World Cup qualifying match against Poland at home. Polish barman Robert is supporting his home nation with vocal frustration. As usual, he has just one customer, regular Johnny, a morose man shrouded in disappointment resentment, seeking refuge, as he does every night, in this pub at the top of the road. But tonight Jimmy warns Robert to expect another punter and that there “may be shouting”. When the third man, Ian, arrives, there is more than just a bit of shouting, his presence setting off sparks that ignite the fire of these two men’s shared personal history throwing up confessions, half-apologies and regret as Robert looks on as referee.
This tight 75 minute long play bristles with anger, disappointment, resentment – and forgiveness. As the play reached its emotional crescendo, there was a lot of sniffling which I can’t believe was all due to hayfever. But in amongst the angst there were some lovely amusing moments that cut through the gloom.
Quietly is unpretentious, striking and deeply moving in its simplicity, these are not men used to talking about their feelings or admitting their mistakes. Johnny and Ian’s story is one of many from a certain point in Belfast’s history and its power lies in the way McCafferty draws out the personal from the newspaper headlines. Theatre is so often about small things wrought large – an end of an affair, a family secret – but Quietly is a big story diluted to its essence; the pain of two families destroyed by hate, the effect of history on individuals.
As affecting and as nicely structured as McCafferty’s script is, it’s the actors who elevate Quietly to such an emotional place. Patrick O’Kane, an old school friend and long-term McCafferty collaborator, as Jimmy pulls out a controlled powerhouse of a performance that’s moving yet low-key. Declan Conlon is unassumingly brilliant as Ian, a man weighed down by his past and Robert Zawadzki as the barman brings a lightness of touch when most needed.
Unshowy, yet exhilarating and gripping, the brilliance of Quietly should be shouted from the roof tops
by Suzanne Elliott