Big on heart and soul, Happy Theory is the latest thoughtful and funny production from the brilliant Generation Arts.
Those final weeks of school, as you lay down your pen on your final exam are, thrilling and terrifying in equal measure. It can feel as if you have the world at your feet, inundated with endless possibilities. But the weight of what you’re leaving behind can feel dizzyingly daunting. And not everyone is lucky enough for the end of their education to be the beginning of something bigger and better.
The Happy Theory follows a group of school leavers as they head out into the world – some heading to Oxford, others to Bath, a couple are couple travelling (including inspiring teacher Denise) and then there are those who can’t find a way out of their current lives.
In between revising their algebra and adverbs (rather ingeniously used by nasty head of year Mr Brennan – Robert O’Reilly, who also does a stunning turn as Kim Kardashian) the teenagers discuss happiness. What is it they ask? Some say branded trainers, big houses, Lotus cars – ‘nice things’ insists orphaned Frank (Ike Nwachukwu). Swotty Elle (she’s the one off to Oxford) retorts: what about billionaire Phones4U boss John Caudwell? His money couldn’t prevent his son’s agoraphobic? Happiness, Elle – and her and her allies – say, comes from within.
We don’t get a definitive answer to the happy theory, but we do see friendships falter, only for the unspoken bond to draw them together again; relationships fail, futures set free.
Happy Theory is in some ways life imitating art. Generation Arts offers quality, free acting and theatre-making training for young people in the margins. The young people performing tonight are also on the brink of something, something that they may not have had the opportunity to seize without the excellent job the project does.
Happy Theory is a heartwarming, pacey piece of theatre, with performances that range from good to excellent. And the fantastic work of Generation Arts imbues this production with a sense of purpose and heart that we don’t always see at the core of theatre.
For more information on Generation Arts, see here.