Entertaining and engaging, Sarah Kendall’s observation on bad luck/good luck is an amusing, poignant look at our lot in life
Sarah Kendall’s One-Seventeen deals with the theme of luck, based on a Chinese proverb about what constitutes good luck/bad luck, where one can be disguised as the other. Kendall explores how our lives can change in an instant, and how we may not even be aware of that moment’s significance until later when we take back and unravel the strands.
One-Seventeen isn’t your typical comedy show. There is a sad seam that runs through the hour-long show that moves between time and place as Kendall weaves together tales from her past and present.
This isn’t a show that provokes belly laughs, although there are plenty of funny moments. It is a show that is as poignant as it is humourous, where moving moments collide with amusing undercurrents – for example how her brother reacts to a real-life – nearly fatal – car crash as if he were in the Dukes of Hazzard (a favourite show of the siblings).
Kendall is at her funniest when doing impressions of her hugely pessimistic mother who in contrast to her more pragmatic, star-gazing father, sees everything as doomed. That, and the stories of her nouveau riche neighbours in Australia who bonded her quarrelling mum and dad better than any marriage counselling.
Star-gazing is a theme that runs through the show, from reminiscing of standing on the lawn in Australia pretending to see Halley’s comet, to fast forwarding to her life today in south London as a married mother of two, and her father, the other side of the world, asking her as she stood on her tiny London patio what stars she could see.
Kendall’s great skill is as a storyteller. Each of these individual tales is engaging and absorbing, told with genuine warmth and a captivating cadence. There’s an argument that perhaps each anecdote works better as an individual story than as an all-encompassing take on life and our place in it.
But overall, One-Seventeen is a beautifully crafted show that is as touching as is it funny and moves away from comedy clichés to take a wry and thought-provoking look at how fate trips us up with stealth.