An emotionally charged one-hander that follows one man’s bid to survive in the hardest of circumstances
Based on Jewish Austrian author Stefan Zweig’s novella, The Chess Player follows a prisoner in a Nazi jail struggling to stay sane while shut away in solitary confinement with no books, cigarettes or conversation.
His unlikely lifebuoy comes in the form of a stolen chess book allows him to lose himself memorising the many outcomes of a chess game. Despite never having played a game of chess, has the prisoner become the best player of all time?
His chance to test his skills comes after he escapes his captures and en route to safety in Buenos Aires finds himself in the middle of a chess tournament featuring the great chess masterminds.
Despite the mind soothing power of chess and his new found freedom, the prisoner remains hovering on the brink of madness. Will he survive a game against the greatest player of all time? Or will it trigger a descent into a darkness that there will be no escape from?
Written, performed and director by Richard McElvain who takes on all the roles with great zeal and emotion, breaking the fourth wall at times by placing himself in the story and interacting with the audience and occasionally with Larry Buckley whose sound and light production brings a further edge to the production.
The back-and-forth between McElvain’s characters serves to heightened the madness and claustrophobia of a man who escapes one prison only to find himself trapped in his own mind. The final chess game reaches an intense climax of insanity that leads to two choose-your-own-adventure style endings, one based on Zweig’s own death from suicide and another playing out the novella’s original conclusion.
Post-curtain call Elvain explains the show is about theatre and art, how it means nothing and everything at the same time. Art lifts us and holds a mirror to us and the world we live in. Without it, we are the like the prisoner in his cell, clinging onto an emptiness with no purpose.