Dance review: Macbeth, Wilton’s Music Hall

A haunting, gripping dance adaptation of Shakespeare’s sinister masterpiece

Jonathan Goddard and Eleanor Duval as the Macbeths

Jonathan Goddard and Eleanor Duval as the Macbeths.

Dancing to Shakespeare may sound a bit like dancing to architecture, to (badly) paraphrase a famous phrase, but in the hands of the fantastic Mark Bruce Company, one of the bard’s greatest – and bloodiest – plays becomes a piece of absorbing and captivating art in its own right.

Macbeth lends itself well to dance, the inner turmoil of a man and his wife willing to commit regicide to be king and queen of Scotland, create an energy that is both powerful yet intimate. Unearthing the hidden meaning behind what drives this ambitious couple to commit murder in order to get their bloody hands on the crown has long fascinated directors, and in this production their angst, greed and lust for power. and their subsequent all-consuming guilt, seems even more stark.

From gentle beginnings grows a performance of great drama and passion. Bold, clever lighting washes the stage in blood-red and casts a banquet in stunning aspic, while well-placed symbols create a brooding atmosphere as the score – largely comprised of Arvo Pärt’s multi-layered music – enhances without smothering. But as sharp as the visual spectacle is, it’s the power of the dance that brings Shakespeare’s words to life.

The choreography is wonderfully realised, with every hand gesture and head turn revealing the characters’ passion and emotions. Shakespeare’s big scenes are all there: there’s the dagger and Lady Macbeth’s hand-wringing; a sinister reactment of the witches’ prophesy of Banquo’s descendants long rule over Scotland, and the banquet scene where the murdered Banquo haunts Macbeth with a terrifying intensity.

Jonathan Goddard as the titular character reveals Macbeth’s ruthlessness alongside a vulnerability – this is a man who seems aghast at his own capacity for murder, astonished at his lust for power. But, as with so many Macbeths, it’s Lady Macbeth who draws the eye. Eleanor Duval is wonderful in the role, a hugely captivating dancer who conveys the character’s steely-eyed ambition and her descent into madness with an incredible force, recreating Shakespeare’s words with compelling charisma. Together the two dancers are beguiling and compelling – this is a couple who are destined to rule.

Mark Bruce Company’s Macbeth | Wilton’s Music Hall | Until 17 March 2018

 

 

 

 

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