A PR student turns anti-capitalist warrior in this bold but uneven delve into media lies and government hypocrisy
There is no doubt a need for more people to be angry and engaged with the wild inequality and injustice in the world. There is also no doubt that there is a need for art – and theatre in particular – to question the atrocities committed by the West that go unchallenged in the media. A Nazi Comparison makes a stab at being that play.
It’s a brave production that certainly doesn’t lack heart, but it’s too uneven and disjointed, too reliant on melodrama, to be entirely convincing.
The play spins around Clare (Louise Goodfield), who is introduced to right-on ideas when she is forced to get out of her taxi and walk through a Grenfell Tower protest that has blocked her way. Here she meets Craig (Craig Edgeley), the worst kind of lefty guy, hiding a selfish, narcissistic personality behind Ideas. Clare is enthralled – whether to Craig or the cause is unclear – and soon she’s telling her mum she doesn’t understand her and dropping out of university.
Her conversion to the left is cemented when her teacher lends her a copy of Shalateger by Hanns Johst, the Poet Laureate to the Third Reich (the play was dedicated to Adolf Hitler) in which Clare can’t help but see strong parallels in how the media was manipulated then and how it is now.
A Nazi Comparison throws every anti-capitalist, left-leaning cliché into the mix and rather ties itself in knots by doing so. There is a good story in there somewhere, but it’s rather lost in the production’s attempt to give everything. The (semi-improvised?) dialogue wasn’t punchy enough to lift the play out of hackneyed territory, and the production was cluttered with several unnecessary scenes that distracted, including a couple of tonally off message physical theatre set pieces.
The media – the current en vogue whipping boy – gets a beating – not necessarily undeserved – in fact one of the play’s highlights is a PowerPoint presentation that discusses the press’ bias against Jeremy Corbyn. But to make such a bold statement comparing Western governments and the media to Thirties Germany, you need to have your argument tightly presented. Goodfield as Clare did a good job of oscillating between student and angry squat dweller, her UCL speech well-delivered and stimulating. And the material Craft Theatre and writer Rocky Rodriguez are tackling is noble in its scale. The company provides a detailed dossier supporting the content of the play and there’s no doubt the material is shocking and thought-provoking.
But despite the enthusiasm and boldness of the cast, the threads this production began were left unravelled.