Theatre review: Le Gateau Chocolat: Icons, Soho Theatre

Inspired by the deaths of two close friends, Le Gateau Chocolat’s cabaret show is moving, funny and life-affirming.

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Performing in front of pictures of his icons – or his ‘voodoo board’ as he called it as so many of them seemed to have been picked off in 2016’s celebrity death march – Le Gateau Chocolat’s show is a homage to the people who shape our lives through music, ideas and books. His one-hour cabaret show also pays tribute to our more immediate relationships and the effect they have on us – our first loves, our fathers, our best friends.

More than a drag act, Le Gateau weaves personal life stories in-between performing beautifully arranged versions of 80s classics, Kate Bush, Elvis, Bjork and even opera. Le Gateau’s voice is as smooth, rich and delicious as chocolate and treads a difficult line between powerful and fragile.

Le Gateau is as moving as he is mischievous. There are, naturally, plenty of laughs, many of them on the night I was there centred around Le Gateau’s interaction with a bewildered looking man on the front row. He’s a hugely charismatic presence (Le Gateau, not the man on the front row) and he would be as engaging in a Burton suit as he would in sequins.

But I wasn’t prepared for the tears, despite the show being a inspired to the deaths of two of Le Gateau’s friends, as he recounts a story of early morning phone calls signally tragedy and the floors the room with a rendition of a song he sang at a friend’s funeral.

Flanked by his backing band, who may look unassuming but can conjure up wonderful arrangements and equally wonderful wigs, he has the basement at the Soho Theatre singing along to Whitney even on an early January evening when we’d all slipped into a post-Christmas back-to-work January tee-total slump.

The perfect antidote to the January blues.

Le Gateau Chocolat | Soho Theatre Downstairs | Until 7 January 2017

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